2023
Oil and watercolours
«Brave monde» 2023. Graphite and acrylics on canvas paper 50x40cm
«Brave monde de nuit» 2023. Graphite and acrylics on canvas paper 50x40cm
«Blue» 2023. Graphite and oil on canvas triptych 82x110 cm
«Yellow» 2023. Graphite and oil on canvas triptych 82x110 cm
«Red» 2023. Graphite and oil on canvas triptych 82x110 cm
«Red» 2023. Oil on canvas 50x65 triptich.
«Yellow» 2023. Oil on canvas 50x65 triptich.
«Blue» 2023. Oil on canvas 50x65 triptich.
«Cathedral 1» 2023. Watercolor and pen on watercolor paper 250gr 70×50 cm
«Cathedral 2» 2023. Watercolor and pen on watercolor paper 250gr 70×50 cm
«Cathedral 3» 2023. Watercolor and pen on watercolor paper 250gr 70×50 cm
«Cathedral 4» 2023. Watercolor and pen on watercolor paper 250gr 70×50 cm
«Behind the catedral» 2023. Watercolor and pen on watercolor paper 250gr 70×50 cm
2022
acrylics.
«Acrylique n°3.» 2022. Acrílics on canvas paper 50×40 cm
«Acrylique n°4» 2022. Acrílics on canvas paper 50×40 cm
«Si on volait» 2022. Acrylic on canvas 90×70 cm
«X garden» 2022. Acrylic on canvas 90×70 cm
«Doré» 2022. Acrylic on canvas 90×70 cm
«Untitled» 2022. Watercolor on rice paper 40×31 cm
«Untitled» 2022. Watercolor on rice paper 40×31 cm
«Sur quelle planète?» 2022. Watercolor on paper 250gr 35×50 cm
«Untitled» 2022. Watercolor on paper 250gr 35×50 cm
2021
WaTercolours
and
ChinESe inK.
«Patajardin rouge» 2021. watercolor and acrylic painting on Mediamix 250 gr 48,5×68,5 cm
«Les piscines» 2021. Watercolors and permanent pencils on watercolor paper 260 gr.
«Ville éléctrique» 2021. Watercolors on paper 250 gr 63,5×48,5
«Deeeeep inside» 2021. Watercolors on Fabriano paper 250gr 74×54 cm
«Ville éléctrique» 2021. Watercolors on watercolor paper 250gr 63,5×48,5 .
«Il nage» 2022. Watercolors, marker and permanent pencil on paper 250 gr 65×45 cm
«Postal 1». Watercolor and Chinese ink on A6 paper
«Postal 2». Watercolor and Chinese ink on A6 paper
2021
Philippe
Homère,
céramiste
et moi-yo
June 20, 2021
Exporoom “Rosset”, Geneva.
«Philippe Homère, céramiste et moi-yo», Exporoom “Rosset”, 2021.
«Philippe Homère, céramiste et moi-yo», Exporoom “Rosset”, 2021.
2021
WaTercolours
and
ChinESe inK.
Untitled. Watercolor and permanent pencil on fine japanese paper 20×30 cm.
«Le danseur » 2021. Watercolors on paper 425 gr 47×35 cm
«Nuit violette». Watercolor and permanent pencil on paper 300gr 50×33 cm.
«Machine et machin avec voile d’inquiétude» 2020. Watercolor on paper 300 gr 35×44,5 cm
2021
-
2018
WaTercolours
and
ChinESe inK.
Flipitex 4, 2019. Watercolours.
«Tapis 1», 2018. Japan paper.
«Le Plancton», 2018. Japan paper.
«Summer Painting 1», 2018. Japan paper.
«Mekhenet 6», 2018. Watercolours.
«Paysage avec colline», 2019. Watercolours.
«Joie et Ville 2», 2019. Watercolours.
«Végétaux 2», 2019. Watercolours.
«No sabemos lo que pasa debajo del agua», 2019. Watercolours.
«Ville de jour», 2019. Watercolours.
«Composition avec trou», 2019. Japan paper.
«Le Cri», 2019. Japan paper.
«Oiseau blessé, femme penchée et dragon», 2020. Watercolours.
«Jeux d’enfants”, 2020. Watercolours.
«Naissance», 2020. Watercolours.
«Ville le soir», 2020. Bamboo paper.
«Ville avec tache rose», 2020. Watercolours.
«La fête interdite», 2020. Watercolours.
2019
FLipEx aNd
expERimenTS.
This series of drawings, the «flipex», is mainly done on Neocolor Caran d’Ache in A3, and is the result of a desire to liberate the gesture and explosion of colour.
This adventure begins in the summer of 2019 in Cadiz, on Media-mix Canson paper.
2019. Flipex.
2019. Flipex.
2019. Flipex.
2019. Flipex.
2019. Flipex.
2019. Flipex.
2019. Collage.
2019. Collage.
2019. Design.
2019. Design.
1977 - 2019
PainTINg
noTebooks.
From an early age, Pascale surrounded herself with notebooks, both for writing and drawing.
The first notebook dates from November 1977 and was completed in 1981.
The second is from the 1986 trip to Asia, in A4 format and bound in denim.
Then comes the A5 Japanese notebook, with its magnificent vegetable papers. It was his watercolour laboratory for three years. She set herself the challenge of painting it from start to finish without any empty space during the summer of 2019.
Then came the purple notebook and another black one which, being of lesser quality, were used for sketches from 2019 to the present day.
Japanese Notebook. 2019.
Japanese Notebook. 2019.
Japanese Notebook. 2019.
Purple Notebook. 1986.
Sewn Notebook. 2019.
Youth Notebook. 1977.
2016
realistic
drawings.
«I like to draw close to reality, but not as an artistic way. However, when it comes to earning a living, I have used this skill, first with the tiles, then by giving classes and now with this project.
Seas with fish, a watercolour that I want to reproduce for a wide audience».
2020. Watercolour.
2016. Tile.
2020. Pencil.
1999
Pascale
Ceramics
Workshop.
Opened in 1999, this workshop was for Pascale a place where work, creativity and social life came together.
It allowed her to live a life of continuous training and experimentation, to exhibit her work, her ideas and her ideals.
Closed in 2014, due to the economic crisis, it remains in the memory of the city of Cádiz and will be the most active and richest period of his working life.
1986
TRAVeL to AsIa.
During her second trip to Asia (1986), she developed ideas she had had since 1983.
With the sketchbook that accompanied her for six months of travel as a witness, she found the formula that inspires her current work as a result of drifting into the drawing of a Thai village: «Chalokung Village».
«Village de Chalokung», 1986.
«The triangle without a straight line is still my favourite shape: it symbolises the roof, the house. The designs of the other objects are the result of my fascination with the meaningful patterns found in all human cultures since time immemorial».
This drift at the end of her studies led her to devote herself to a more modest but more difficult art: ceramics. It was tiles that led her to it, as they are a flat surface suitable for drawing at its best.
This activity allowed her to earn a living by drawing and painting every day, while she gradually learned the many techniques of ceramics…
1980
TeLePhone
booths
and
monotypes.
Pascale Pérez was admitted to the Ecole Supérieure des Arts Visuels in Geneva, in the «black and white» section.
This category was a bit humiliating for her: she was denied colour and painting, she was assigned to engraving, a long and painstaking process that she did not like. This led her to make «monotypes», a quick, agile and cheap process, before switching to the painting section the following year.
«La Plaine», 1981. Linocut.
«Cabine», 1980. Monotype.
1981. Acrylic on paper.
Her work on the telephone booths of the «Plaine de Plainpalais» (1980-1982) was highly appreciated at at the School.
One of his paintings was chosen to become part of the collection of the Rath Museum in Geneva in 1983.
1981. Acrylic on paper.
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Pascale Pérez Stalder ® 2021
